Monday, April 13, 2009
Art History.
History. Amelia Earhart
Amelia Earhart was born on July 24, 1898 in Atchison, Kansas. Her father was a lawyer and her mother the daughter of a wealthy judge. Her parent's difficult marriage had a profound effect on Amelia Earhart's philosophy of life. Amelia saw her father's frustration and unhappiness and determined that she would be an independent woman who could share responsibilities equally with a man and not be dependent on him. She graduated from Chicago's Hyde Park High School on time in 1916 despite the numerous different schools she'd been moved through. Exactly five years after Lindbergh, she soloed from Newfoundland to Ireland and became the first woman to fly the Atlantic alone. This earned her audiences with princes, kings and presidents. She became the first woman to be honored with the Distinguished Flying Cross. Three months later she broke the woman's non-stop transcontinental speed record by flying from Los Angeles, California to Newark, New Jersey, a distance of 2448 miles in 19 hours and five minutes. In 1933 she broke the record again by repeating the trip in 17 hours, 7 minutes and 30 seconds. In 1935 she became the first pilot, man or woman, to solo from Hawaii to California. Three months later she became the first to solo from Los Angeles to Mexico City. Then three weeks later she again soloed from Mexico City to Newark, New Jersey.
Controversial Art! The Beatles
Yesterday and Today (rendered as "Yesterday" …and Today on the record label and in most published discographies) is the tenth Capitol release by the The Beatles and the twelfth overall U.S. release. It was issued only in the United States and Canada. The album is remembered primarily for the controversy surrounding its original cover image, the "butcher cover" featuring the band dressed in white smocks and covered with decapitated baby dolls and pieces of meat. In the United States, Capitol Records printed approximately 750,000 copies of "Yesterday" …and Today with the same photograph as "Paperback Writer".
Controversial Art! The Beautiful South
Welcome to the Beautiful South was the debut album by The Beautiful South released in August 1989. Jan Saudek's album cover originally depicted two pictures, one of a woman with a gun in her mouth, and another with a man smoking. Both people are African-Americans, as the pictures were intended to highlight the plight of blacks in the American South during the 1980s. Woolworths refused to stock the album because of its cover, therefore, an alternate cover featuring a picture of a stuffed toy rabbit and a teddy bear was made.
Thursday, February 26, 2009
Auguste Rodin
Auguste Rodin was a French artist, most famous as a sculptor. He was the preeminent French sculptor of his time, and remains one of the few sculptors widely recognized outside the visual arts community.
Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art. Sculpturally, he possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay.
Many of Rodin's most notable sculptures were roundly criticized during his lifetime. They clashed with the predominant figure sculpture tradition, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy about his work, but did not change his style, and successive works brought increasing favor from the government and the artistic community.
From the unexpected realism of his first major figure—inspired by his 1875 trip to Italy—to the unconventional memorials whose commissions he later sought, Rodin's reputation grew. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his life-long companion, Rose Beuret, in the last year of both their lives. His sculpture suffered a decline in popularity after his death in 1917, but within a few decades his legacy solidified.
Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art. Sculpturally, he possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay.
Many of Rodin's most notable sculptures were roundly criticized during his lifetime. They clashed with the predominant figure sculpture tradition, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy about his work, but did not change his style, and successive works brought increasing favor from the government and the artistic community.
From the unexpected realism of his first major figure—inspired by his 1875 trip to Italy—to the unconventional memorials whose commissions he later sought, Rodin's reputation grew. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his life-long companion, Rose Beuret, in the last year of both their lives. His sculpture suffered a decline in popularity after his death in 1917, but within a few decades his legacy solidified.
A commission to create a portal for Paris' planned Museum of Decorative Arts was awarded to Rodin in 1880. Although the museum was never built, Rodin worked throughout his life on The Gates of Hell, a monumental sculptural group depicting scenes from Dante's Inferno in high relief. The Gates of Hell comprised 186 figures in its final form. Many of Rodin's best-known sculptures started as designs of figures for this composition, such as The Thinker, The Three Shades, and The Kiss, and were only later presented as separate and independent works. Other well-known works derived from The Gates are Ugolino, Fugit Amor, The Falling Man, and The Prodigal Son.
Saturday, February 14, 2009
DADA ART MOVEMENT
Dada or Dadaism is a cultural movement that began in Zürich, Switzerland, during World War I and peaked from 1916 to 1922. The movement primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Dada activities included public gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media. The movement influenced later styles like the avant-garde and downtown music movements, and groups including surrealism, Nouveau Réalisme, pop art, Fluxus and punk rock.
Marcel Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. Duchamp's output influenced the development of post-World War I Western art. playful man, Duchamp challenged conventional thought about artistic processes and art marketing, not so much by writing, but through subversive actions such as dubbing a urinal "art" and naming it Fountain. He produced relatively few artworks, while moving quickly through the avant-garde circles of his time.
"Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for Surrealism."—Marc Lowenthal
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